Image line:Fl studio
Propellerheads:Reason
Cakewalk:Sonar + Project 5
Synapse Audio:Orion
Steinberg:Cubase&Nuendo
Emagic/Apple:Logic Audio
Motu:Digital Performer
Digi Design Pro-tools
Nota: Como é obvio existem imensos sequenciadores mas apenas mencionei os mais reconhecidos.
#Outros Acessórios#
Propellerheads:Recycle = Converte Ficheiros .wav,Aiff em .rex,rex2
Nota: Tenho vindo a encontrar defeitos quando chega a parte de colocares os marcadores
na parcela de audio quando é exportada para um editor este não é 100% rigoroso.
MarbleSound:Midi Virtual Cable = Permite
conectividade entre duas aplicações via Midi (hoje em dia
é algo que já não se usa mto,mas as vezes...
#Editores Audio#
Goldwave
Sony:Soundforge
Adobe:Cool edit/Audition
Steinberg:Waveklab
#Vst#
Golden Audio Channel | GAC-1
Features
* Two Compressors with VCA and Opto models
* Two four band parametric EQ’s with five filter types
* Noise Gate with soft knee
* Wideband De-esser
* Ten routings (interconnection between effects)
* Side Chain
* Individual On (Bypass) switch for each effect
* A|B comparisons
* Silent knobs and buttons
* 40 Presets
* 64 Bit Internal Processing
* Very low CPU usage
* Supports sampling rates up to 192kS/s
* Full VST automation
* No Latency
Golden Modulator | GMO-1
Features
* Delay, AM, FM and Panning effects.
* 45 Presets.
* Internal Limiter.
* 2 LFO’s with 10 Waveforms.
* Filtered Feedback.
* Host Synchronization.
* 64 Bit Internal Processing.
* Up to 4 times oversampling.
* Supports sampling rates up to 192kHz.
* Full VST automation.
* No Latency Delay.
Ohm Force frohmage
features
* Highly resonant low-pass filter.
* Cutoff frequency unit selection : Hz or musical note.
* Up to 15 additional bands, harmonically distributed.
* Delay on each band for unique phaser effects.
* Distortion stage, with two routing schemes.
* Very fine MIDI control (PRN and NPRN sent or recorded by Frohmage are 14-bit accurate).
* Low CPU load.
Psp Audio: Lexicon psp42
features
Lexicon PSP 42 is high-quality digital stereo delay and phrase sampler based on the legendary Lexicon PCM 42 processor famous for its distinctive sound and unique concept. Lexicon PSP 42 has been carefully designed to accurately reproduce the flexibility and warmth of this renowned classic. This has been accomplished by incorporating precise tape saturation algorithm and a delay line operating with variable sampling rate which simulates physical properties of vintage tape machine delays. The plug-in has been designed with consideration to preserve maximum signal quality at every processing stage.
Functionality and sound of the Lexicon PSP 42 have been approved by Lexicon.
Ohm Force:Predatohm
features
# First " user-friendly " multiband compressor/expandor ever.
# Choose your weapon : Multiband distortion, with many distortion schemes available.
# Warm, bright sound with the guitar feedback generator.
# Quick and efficient sound shaping provided by the tone setting.
# Make it wide with the Stereo Expander.
# Optional High Quality rendering.
# Integrated preset morphing solution.
# MIDI Automation : control your Predatohm via MIDI. (this feature is only available on Expert and Propack).
Smart Electronix:s(M)exoscope
features
* Available as a Standard insert effect or as a special Modular version optimized especially for modular VST hosts like Plogue Bidule or AudioMulch.
* Display controls - Time (number of pixels per sample) & Amp (amplitude of the waveform in the display).
* Retrigger modes - Free, Internal, Rising & Falling - with Retrigger Threshold. External mode also available in the modular version.
* Options - Sync Redraw, Freeze, DC-Kill & Channel.
The s(M)exoscope also contains a tool that can be used to analyze the waveform currently in the display. Based on where you place a marker, the tool analyzes the x and y dimensions of the waveform to calculate the following:
* Selection amplitude (linear)
* Selection amplitude (decibels)
* Selection length (in samples)
* Selection length (in seconds)
* Selection length (in milliseconds)
* Selection frequency (assuming that the selection is one cycle in length)
Psp audioware: PSP nitro
features
* 4 sound processing operators.
* A wide variety of filters and other effects.
* Extreme internal routing flexibility.
* Two LFOs with advanced sync possibilities.
* Envelope detector with adaptive mode and ADSR generator.
* Virtual cables for connecting modulation sources to processing parameters.
* Advanced MIDI control.
* Library of presets.
IK Multimedia:Amplitube
Features:
* 3 Amps, 3 EQs, and 3 Cabinets.
* 4 classic effects, including Wah, Reverb, Delay, and Overdrive.
* Built-in Tuner.
* Stand alone (AmpliTube Live) and plug-in (AmpliTube LE).
* AmpliTube Live 128 presets; AmpliTube LE 66 presets.
* MIDI foot controllable.
Nomad Factory: Blue tubes bundle pack
FEATURES
high quality processing using double precision floating point
up to 192kHz sample rates supported
Automate any control thru compatible RTAS, HTDM, AU and VST host applications
set of factory presets
Antares tech:Antares Filter
Features:
* Four warm, analog-sounding stereo multimode filters.
* Lowpass, highpass, bandpass and notch modes.
* Variable slope: 12dB/oct  48dB/oct.
* Four full-featured delay sections.
* Multiple filter routing options.
* Four Envelope Generators.
* Four multi-shape LFOs.
* Envelope Follower.
* Two Rhythm Generators.
* Powerful Modulation Matrix.
* Extensive MIDI control.
* Every time-based parameter syncable to MIDI.
#VSTI#
Arturia:Moog Modular
features
* 9 oscillators (921 Mg series).
* 2 dedicated LFOs.
* 3 filter slots can be chosen among classic Mg 904 series (low-pass 24 dB, high-pass 24 dB, filter coupler), and an additional 12 dB multimode filter (7 modes).
* 1 noise generator (white and pink – 923 Mg module).
* 6 ADSR auxiliary envelopes (911 Mg module).
* 2 VCAs (with their own envelopes, and 1 panoramic potentiometer for natural stereo effects)
* 16 auxiliary VCAs with modulation inputs.
* 1 sequencer (3x8 steps – 960 Mg module).
* 1 filter bank (14 bands with their own bandwidth).
* 1 stereo delay.
* 1 chorus.
* Mono/polyphonic (up to 64 voices).
* Stereo synthesizer.
* Absolutely pure and top quality sound (aliasing-free), like the original Moog sound.
Muon Software:DS404
Native instruments:Kontakt
Features:
* 192 KHz, 32-bit sample engine with 64 fold multi-timbrality and unlimited voices.
* Sample library with more than 15 GB.
* Brand-new, intuitive user-interface offering dozens of innovative features.
* Advanced surround sound features allowing up to 16 channel mix-downs.
* Kontakt Script Processor for profound engine and feature customization.
* Convolution effect adds real-life reverb characteristics or special effects to the sound.
* 6 different sample modes: Classic, DFD, Tone, Time I and II as well as Beat Machine.
* Detailed browser functionality affording a concise overview of essential information.
* Universal Import ensures compatibility with virtually every sample and library format.
* Vast selection of effects, filters and modulators. Convenient Group, Mapping and Loop editors for easy use of zones and slicing loops.
Native instruments Battery
features
* Sampler designed for drum sounds, but also good for pitched sounds
* Internal 32-bit resolution and sample-accurate timing
* Reads samples in the formats AKAI S-1000, SF2, REAKTOR Map, LM4, AIFF and WAV, from 8 to 32 bits
* More than 20 high-quality soundsets included
* 54 instruments, each with 128 velocity layers, tuning, volume envelope, pitch envelope, bit reduction, shaper and FX Loop for innovative effects
* Six modulation inputs per instrument with many drum-oriented presets
* Real-time wave display
* Runs stand-alone with MME, Direct Sound, Sound Manager, MAS, DirectConnect and ASIO or as a VST 2-Plugin
* Dynamic resource allocation for optimal performance
* Can be played and modulated via MIDI, with complete VST automation
Novation:V-station
features
* Plugin version of the hardware K-Station.
* VSTi for Windows, Audio Unit for Mac OS X.
* V-Station sounds can be downloaded into the A or K-Station and vice versa.
* Liquid analogue sound based on the K-Station sound engine.
* Powerful 3 oscillator sound engine with Noise and FM capability.
* Arpeggiator with synchronisation lock.
* Simultaneous high quality effects including Reverb, Chorus, Phaser, Delay, Panning & Distortion and EQ Filter.
* 400 user programs - 200 factory presets.
* 8 note polyphony per instance.
Native instruments:Absynth
features
# Innovative and unique combination of multiple synthesis and sampling techniques.
# New user-interface providing a concise overview and convenient one-window editing.
# Live stereo input allowing ABSYNTH 3 to be used as an extraordinary effect unit.
# 9 sound sources, 14 filters types, dedicated modulation and more for all three channels.
# Uniquely flexible envelopes with up to 68 breakpoints and sophisticated group management.
# Improved envelope display including a time display, variable resolution grid and cursor showing current position in the envelope.
# Dedicated surround sound function (3.1, 4.1, 5.1, 6.1, 7.1, 8.0) per channel allowing spatial manipulation of the sound or its individual components.
# Real-time fractalize parameters linked to individual envelopes.
# Powerful effects including a special reverb, echo, pipe, multi-tap, multi-comb.
Rob Pape: Albino
features
* Modular and extendable design currently with 3 Oscillator Modules, 2 Filter Modules, 2 Envelope Modules and 8 Effect Modules.
* 32 note polyphonic (CPU dependent).
* Unlimited sound programs, Sound Browser.
* More than 1250 Rob Papen presets.
* up to 4 oscillator per voice, various High Quality Oscillator types with countless waveforms.
* Amplitude and Frequency Modulation and "Pulse Width Modulation" for all (!) waveforms, Sync.
* 2 filters per voice, each with 2 types of multimode filters, altogether 12 filter modes, saturation control.
* 8 envelopes per voice, 2 types: 5 levels / 5 rates with loop and enhanced ADSR Mode.
* Variable keyboard and velocity tracking, individual for each envelope.
* 4 individual LFOs with various waveforms, broad range of tempo sync, Symmetry and Phase adjustable, additional LFO-DAD-Envelopes.
* Portamento / Glide with various options, constant Time or Rate and Auto-Bend.
* Adjustable Precision to bring in the warmth of good old analogue modules.
* Sophisticated Arpeggiator with 32 programmable steps, several modes, swing, several clock settings, save/load/copy/paste and many more functions.
* Unique modulation matrix with hundreds of modulation routings.
* Spread for ultra-fat sounds (up to 20 Oscillators).
* Microtuning support for different scales.
* 2 effect blocks with two chorus, flanger, phaser, filter/distortion, two delays and reverb effects.
* Fully recognized velocity, mono and poly aftertouch, pitch bend, mod-wheel and various other controllers.
* Full version comes with a comprehensive PDF manual (box version with printed manual).
* Sample accurate timing, full automation and settings are saved with your song.
#Samples#
Dub Fx samples
Fist of fury sountrack/audio samples
Beastie boys Acapellas
Declassified breaks(Rex já criados por cool mr croc da DOA)
240 mb cymbols,rides,crashes
957 Drumhits para utilizar este pack é preciso descompactar com a ferramenta monkeys audio
#Quick Tutorial (...sim o velho Recycle tutorial,lol)#
Aqui está um breve tutorial em como utilizar uma das ferramentas da propellerhead
1º passo:
Na minha opinião é um must ter um bom break,quando digo um bom break refiro-me á sua qualidade,por isso recomendo a todo o pessoal investigar na net.albums antigos até mesmo recentes de funk ou o que raio seja... saquem do soulseek ou emule... etc.
Para este breve tutorial eu vou usar um break já bastante conhecido e que é um dos meus favoritos,por isso pouca conversa e siga o tutorial!
2ºpasso:
Abre o teu recycle e faz o load do teu break (File>Open>... .wav ou .aiff)
3º passo:
Agora as coisas se complicam pq chegou a altura de fazer os cortes ao sample break existem duas maneiras de se fazer isto:
Manual - Para os mais rigorosos e com bons olhos e paciencia para estar a cortar sample a sample (altamente recomendado)
Automatico - Deixar o software definir os pontos de corte através dos picos de onda (pode surgir problemas com os cortes devido a má resolução logaritmica do programa...as vezes pode cortar antes ou depois do lugar desejado por isso convem verficar bem os cortes se utilizarem este modo)
Como se estabelece os markers,huh?
Está tudo aqui (devo pedir desculpas pela má resolução da imagem)
Ok,vou explicar agora como se faz em modo automático:
No modo automático na realidade é bastante simples basta mover a barra que diz "sens" ou seja sensitivy (no shit...!hahahaha) e automaticamente o programa vai definindo markers com um start point e finish) depois basta apenas definir quantos compassos tem o break (ajusta-se na caixa onde diz "bars" ) e Boom! já está,instant slicing!
Em modo manual as coisas não mudam mto em vez de usar o sensitivy é utilizada a "pen tool".
Vai adicionando start points no inicio da forma de onda do kick,snare,hats,bongos...etc da mesma maneira como está na imagem em baixo.
Quando terminares com os start points é aplicar o mesmo metodo que o Automatico,isto é definir quantos compassos tem o break!
4º passo: Este passo não é realmente obrigatorio é mais uma dica do que uma regra fundamental..
Quando corto os meus breaks eu geralmente defino certos parametros tais como:Compressão,eq e noise gates para o tornar mais solido.Para activar estes parametros existe um icone,basta premir o "preview toggle".
[img]http://photos1.blogger.com/blogger/7031/1302/400/OptionsToggle.jpg
isto automaticamente vai activar todas as funções de dinamica e efeitos.
Ok,agora basta guardar o break (file>Save as>... .rx2) e está pronto para ser utilizado no teu Sequenciador ou sampler favorito
Espero que o Tutorial ajude em alguma coisa (este tutorial foi a pensar no pessoal que quer iniciar produção e não para aqueles com um nivel mais avançado).Obrigado pela tua atenção(alguma modificação ou duvida contactem para o meu email ou então podem enviar uma private message) e boas produções a todos
Inph/Halo







